Brenda Dixon Gottschild
Cultural Historian, Actress, and Dancer
The (Black) Dancing Body as a Measure of Culture
Thursday, October 1, 2009
Stern Center, Great Room, 7:00 p.m.
Through dance demonstrations and visual images, Dixon Gottschild examines the pervasive Africanist presence in American culture and the sociopolitical implications of its invisibility. With dance as the focus and race the parameter, she reveals Africanisms in modern and postmodern dance and American ballet.
A book signing will follow the presentation.
Topical Background
Cultural appropriation is the adoption of practices and traditions from a specific culture by another group of people. This usually involves mimicking or borrowing musical techniques, dance styles, or other art forms.
The term “Africanist,” as used by Brenda Dixon Gottschild, refers to concepts, practices, attitudes, and forms that are rooted in Africa or African culture. The term originated in the works of American anthropologist Melville J. Herskovits. In Myth of the Negro Past (1941), Herskovits was one of the first to examine African influences on both African Americans and whites in the United States. Others to use the term include author Toni Morrison, who describes Africanism in her book Playing in the Dark: Whiteness and the Literary Imagination (1992), which explores the presence Read more


